Moteur de recherche & Synthèse des "Midits" sur le jeu "Sur la trace de la Chouette d'Or ®"

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22/03/2024 - Vocal n° 66 - 1:00:20 20: CDC - No relevance or imagination from Max regarding the visuals

(Q - Syn: But here, it's the angle that's different too.)

MB: Yes, but there, frankly, I don’t know how to tell you. What is certain is that what is absolutely certain, I still come back to it because it is a constant and I invite everyone not to doubt that. What is absolutely certain is that the location of the cache is unique and the path has been the same from the start. Since the origin of this hunt, the path has been the same.
Afterwards, he seasoned it, he varied it, he changed things, as we have just said, but the path is always the same, the point of arrival is always the same, and there is no doubt about that. not allowed. Once we have gone through the solutions, etc., as I was able to do with Snow White, there is no room for doubt. There is only one possible arrival point.
So what happens along the way is the ideas, the changes of ideas, the follies of a puzzle designer. For what ? How ? I can't answer everything about this.

(Q - Syn: In the reading, Michel, in the reading of the 560, therefore, that of Father Méhus, therefore with the line, with another angle, etc. For some, it is easier to understand this circular side, because it would go with the title.)

MB: But there is still something else to say about that. So there, I had the opportunity to see it with my own eyes. This is because Max Valentin had absolutely no relevance in the choice of illustrations and illustrative elements. It was basic, he really had no imagination about it. So he created what we call the specifications, his recommendations for the illustrator, these were really his ideas. Well, we're going to put this, this, that... But once again, choosing a square, choosing a musical staff, choosing this or that element, it's really your personal choice. And I think that as much as he was comfortable with the word, as much with the image, he was not always very relevant.