(Q - Xavier: Yes, so a question, well, it's a general question.)
MB: But it's recurrence, eh, you realize that you're in the middle of recurrence, there.
(Q - Xavier: No, no, but Méhus, do you consider that Méhus is part of the hunt or is it simply a joker, a plus? That's it, that's intended to everyone. Do you consider that Méhus is really part of hunting, we really include him completely, or when you say, I answer, how can I say, in hunting, there is not that, that is to say, do you consider Méhus to be part of the hunt or is it simply an extra that was given to help us?)
MB: So, I'll tell you, when I published Méhus, the first time I published the secret notebooks, it was during the period when I knew nothing about the solutions, when I had no certainty that They would be given to me one day and this game could resume normally. I had no idea what I was going to do about the golden owl itself. I really didn't know what position to take. And this publication was a way of throwing a bottle into the sea. To say, I'm going to throw this out, I'm going to publish it, so all the cool people will be able to benefit from it. The two who had benefited from it upstream did absolutely nothing about it, which is not surprising when, with hindsight, we see how they function.
So for me it was not a convincing demonstration because I do not think that these were people who necessarily clearly understood the scope of the text. So, I threw it like a bottle into the sea. And what I think about it today is that, as with any product, I'm talking about Régis Hauser who was a marketing consultant, we offered a product to sell and he created a little scenario around it, an advertising text, a way of presenting the baby to the potential consumer. He created his hunt, and alongside his hunt, he wrote a text, a packaging, presentation, promotion text, this little advertising text intended to thrill the reader, to make him want to buy the book and participate in the game. This text is the story of Father Méhus. It is the first text he wrote, even if he modified it later. This is the basis.
In this text, given that he was there in the attitude of a pure and hard communicator, in this text, he established some links, indeed, with the enigmas. Links which are not of capital importance, but there are some links, there are some winks, there are some correlations, we will say.
Then a new sponsor came along, he had rewritten a text at that time, which no one has seen today, which was not published. And the new sponsor having withdrawn, it was me who took over. And there, he wrote a text again, but hey, he was a little worn out on the subject, he was a little fed up with it. And he wrote a text, I would say, to fill in, to garnish with my so-called collections of owls, that we were old friends, etc. In short, he embroidered around all that, but without trying to wink or establish the correlations that can be found in Father Méhus' text. It’s important what I’m telling you because it’s really the genesis of Father Méhus. So, now, to answer your question directly, in Father Méhus, there are winks, there are some correlations, there are some small cross-checks to be made, but there is no information major, if that's what you're trying to find out.
MB: But it's recurrence, eh, you realize that you're in the middle of recurrence, there.
(Q - Xavier: No, no, but Méhus, do you consider that Méhus is part of the hunt or is it simply a joker, a plus? That's it, that's intended to everyone. Do you consider that Méhus is really part of hunting, we really include him completely, or when you say, I answer, how can I say, in hunting, there is not that, that is to say, do you consider Méhus to be part of the hunt or is it simply an extra that was given to help us?)
MB: So, I'll tell you, when I published Méhus, the first time I published the secret notebooks, it was during the period when I knew nothing about the solutions, when I had no certainty that They would be given to me one day and this game could resume normally. I had no idea what I was going to do about the golden owl itself. I really didn't know what position to take. And this publication was a way of throwing a bottle into the sea. To say, I'm going to throw this out, I'm going to publish it, so all the cool people will be able to benefit from it. The two who had benefited from it upstream did absolutely nothing about it, which is not surprising when, with hindsight, we see how they function.
So for me it was not a convincing demonstration because I do not think that these were people who necessarily clearly understood the scope of the text. So, I threw it like a bottle into the sea. And what I think about it today is that, as with any product, I'm talking about Régis Hauser who was a marketing consultant, we offered a product to sell and he created a little scenario around it, an advertising text, a way of presenting the baby to the potential consumer. He created his hunt, and alongside his hunt, he wrote a text, a packaging, presentation, promotion text, this little advertising text intended to thrill the reader, to make him want to buy the book and participate in the game. This text is the story of Father Méhus. It is the first text he wrote, even if he modified it later. This is the basis.
In this text, given that he was there in the attitude of a pure and hard communicator, in this text, he established some links, indeed, with the enigmas. Links which are not of capital importance, but there are some links, there are some winks, there are some correlations, we will say.
Then a new sponsor came along, he had rewritten a text at that time, which no one has seen today, which was not published. And the new sponsor having withdrawn, it was me who took over. And there, he wrote a text again, but hey, he was a little worn out on the subject, he was a little fed up with it. And he wrote a text, I would say, to fill in, to garnish with my so-called collections of owls, that we were old friends, etc. In short, he embroidered around all that, but without trying to wink or establish the correlations that can be found in Father Méhus' text. It’s important what I’m telling you because it’s really the genesis of Father Méhus. So, now, to answer your question directly, in Father Méhus, there are winks, there are some correlations, there are some small cross-checks to be made, but there is no information major, if that's what you're trying to find out.