(Q - ??: we were talking about it vocally last time, it's a real problem, because we have the impression that in fact you are doing a magic trick in front of us and that
'we can't find the trick?)
MB : at the moment when I became aware of the enigmas, well the solutions more precisely, I realized that indeed there was a gap between I would say, what should have been, from the origin, the logic, the path owls and what happened to them many years later.
And today I am faced with the fact that reversing is very, very complicated, we have all experienced it behind the wheel, we drive much slower in reverse which is logical but in addition it is much more difficult to to steer, to head in reverse.
It's a bit, it's an image but it's a bit of what I'm faced with and at the same time if I understand that you are lost when you tell me, you have the impression that I am operating a magic trick, it's not that I'm performing a magic trick, it's that I'm obliged to integrate two categories of elements which are the cool ones on the one hand, their progress in the game,... and the history part of the game and the cultural charge represented by the Madits, how they influenced the owls and I must today reestablish a fair balance between the research of the owls, the elements of the game and put into perspective what has distanced them, disturbed them , possibly distorted, without betraying the game.
It's an extremely complex exercise, I compare myself to a tightrope walker who walks over a chasm on a taut cable with a pole to balance himself, but hey if there's a little too much wind, he can still break your face, so it's a very, very delicate exercise, that's why I take the trouble to express myself so much on what you think are slips of the tongue, among other things, in explaining to you that I am always looking for the word, the precise term that will give you light, information (light without correlation with the game), enlightenment on something, without distorting, without getting you involved in bogus or misleading things.
It's very, very difficult, it's very difficult, it's 30 years of exchanges, it's thousands, hundreds of thousands of messages, it's really very, very difficult to reorient yourself, so it's That's why I perhaps give you the impression of playing a conjuring trick on you, but it's not really a conjuring trick.
It's that in reality I'm trying to explain the trick to you but I can't show you everything at once otherwise there's no more magic, there's no more play in fact, it's really delicate honestly it's really delicate and I'm really not a crooked person, I'm really not someone who tries to bully you or prolong the pleasure as some people think, to sell my books or not them sell or do something else that I know or because I would have some interest in doing this rather than that, or because I would not have understood or because I would not have assimilated or because I would not have done what you need or want is not the problem at all.
The problem is to really bring together what is a myth, the myth is all that we can think of this game, everything that is
[CUT TO MICHEL]
MB : at the moment when I became aware of the enigmas, well the solutions more precisely, I realized that indeed there was a gap between I would say, what should have been, from the origin, the logic, the path owls and what happened to them many years later.
And today I am faced with the fact that reversing is very, very complicated, we have all experienced it behind the wheel, we drive much slower in reverse which is logical but in addition it is much more difficult to to steer, to head in reverse.
It's a bit, it's an image but it's a bit of what I'm faced with and at the same time if I understand that you are lost when you tell me, you have the impression that I am operating a magic trick, it's not that I'm performing a magic trick, it's that I'm obliged to integrate two categories of elements which are the cool ones on the one hand, their progress in the game,... and the history part of the game and the cultural charge represented by the Madits, how they influenced the owls and I must today reestablish a fair balance between the research of the owls, the elements of the game and put into perspective what has distanced them, disturbed them , possibly distorted, without betraying the game.
It's an extremely complex exercise, I compare myself to a tightrope walker who walks over a chasm on a taut cable with a pole to balance himself, but hey if there's a little too much wind, he can still break your face, so it's a very, very delicate exercise, that's why I take the trouble to express myself so much on what you think are slips of the tongue, among other things, in explaining to you that I am always looking for the word, the precise term that will give you light, information (light without correlation with the game), enlightenment on something, without distorting, without getting you involved in bogus or misleading things.
It's very, very difficult, it's very difficult, it's 30 years of exchanges, it's thousands, hundreds of thousands of messages, it's really very, very difficult to reorient yourself, so it's That's why I perhaps give you the impression of playing a conjuring trick on you, but it's not really a conjuring trick.
It's that in reality I'm trying to explain the trick to you but I can't show you everything at once otherwise there's no more magic, there's no more play in fact, it's really delicate honestly it's really delicate and I'm really not a crooked person, I'm really not someone who tries to bully you or prolong the pleasure as some people think, to sell my books or not them sell or do something else that I know or because I would have some interest in doing this rather than that, or because I would not have understood or because I would not have assimilated or because I would not have done what you need or want is not the problem at all.
The problem is to really bring together what is a myth, the myth is all that we can think of this game, everything that is
[CUT TO MICHEL]