(Q - ??: I want to try a somewhat freestyle parallel, Michel, could we assimilate the danger, let's say continuous news channels which make
force-feeding, to be careful to stop taking what is said and to no longer think because something said and rather to say to yourself Well well, we must continue to..., it's a bit harsh example, but if you
understand what I mean, can the parallel help?)
MB: I understand very well. So, I'll give you another parallel, Brybry, are you still here?
(Q - Brybry: yes, I listen carefully…)
MB: Okay, so we're going to say some interesting things. When we talk about continuous news channels, I think in particular of France Info which is very strong on this. It is remarkable for me to see that for several years now, it is obvious, they have scripted all of their shows. There is always music behind it. There is always when we talk about things where we want to attract the passerby a little, there is always a bit of thriller-style music behind it, with a bass. It's amazing. There is the tone. We can notice that all the journalists are formatted, they use the same tone, they have the same rhythm, they have the same syllable interruptions to catch their breath. They all speak the same way, they chant their sentences. There is a whole staging, in fact, around this form of information.
And when you listen to Brybry, which happens to me from time to time, it's not just him, but I find the example interesting because Brybry expresses himself a lot. This is because when he wants to capture his audience, he also puts on stage with his voice. He says things in a certain way that you always feel like he's going to reveal something to you that you haven't seen. Do you understand what I mean?
MB: I understand very well. So, I'll give you another parallel, Brybry, are you still here?
(Q - Brybry: yes, I listen carefully…)
MB: Okay, so we're going to say some interesting things. When we talk about continuous news channels, I think in particular of France Info which is very strong on this. It is remarkable for me to see that for several years now, it is obvious, they have scripted all of their shows. There is always music behind it. There is always when we talk about things where we want to attract the passerby a little, there is always a bit of thriller-style music behind it, with a bass. It's amazing. There is the tone. We can notice that all the journalists are formatted, they use the same tone, they have the same rhythm, they have the same syllable interruptions to catch their breath. They all speak the same way, they chant their sentences. There is a whole staging, in fact, around this form of information.
And when you listen to Brybry, which happens to me from time to time, it's not just him, but I find the example interesting because Brybry expresses himself a lot. This is because when he wants to capture his audience, he also puts on stage with his voice. He says things in a certain way that you always feel like he's going to reveal something to you that you haven't seen. Do you understand what I mean?