(Q - Sylvain: Michel could you give us a little bit of a framework for analyzing the text and how far we can go? Are there words to find that would not be
not in the text... Could you give a sort of framework so that we don't go too far?)
MB: My thing is more paintings than frames, but hey, I'll make an effort. You know, it's a short text, no, but no joke. It's concentrated. Obviously, it’s concentrated, so it’s important to… There aren’t very many words so you have to pay attention to each word. We must pay attention to the order since we have just mentioned the 3 adjectives which were already no longer in order, so they have an order. There you have it, you have to analyze the text, you have to capture the words. Afterwards there is no encryption, there is no second, third… well second at a pinch but hey there is no exceptional level of interpretation. It's relatively basic in the end. Every word has meaning.
(Q - ??: ok so no capillo thing to look for, I don’t know where…)
MB: no, no, no, no, no, no, no, it’s definitely not capillo.
MB: My thing is more paintings than frames, but hey, I'll make an effort. You know, it's a short text, no, but no joke. It's concentrated. Obviously, it’s concentrated, so it’s important to… There aren’t very many words so you have to pay attention to each word. We must pay attention to the order since we have just mentioned the 3 adjectives which were already no longer in order, so they have an order. There you have it, you have to analyze the text, you have to capture the words. Afterwards there is no encryption, there is no second, third… well second at a pinch but hey there is no exceptional level of interpretation. It's relatively basic in the end. Every word has meaning.
(Q - ??: ok so no capillo thing to look for, I don’t know where…)
MB: no, no, no, no, no, no, no, it’s definitely not capillo.