(Q - Apollo: Michel, I have a question again in the book under the seal of secrecy, you initially say heads or tails, all or nothing, can we add red or black?)<
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MB: Ouch, ouch, ouch, Ouch, ouch, Ouch, Ouch, you are incorrigible. It's terrifying. You are first-class amalgamators. It's terrifying ? Heads or tails at the time, when I wrote this text, it was something. Red or black is it from when, yesterday, the day before yesterday, I don't know. It's, it comes a certain time later, it's a sequel, there is no, there is no parallel to be made. Red and black what I evoke through red and black. Well, come on, let's, we can talk about it a little because ultimately it's topical. Why did I put this red and black title? Yes, there is obviously the little nod to Stendhal, that's clear, but it's above all a parallel between what was supposed to be, what could become, how history had been envisaged and what it has become today. So, the parallel between the black envelope of Father Méhus then the red envelope which has so much, which so fascinates certain conspiracists. So I made this parallel to say both that well we are in the same context, we have enigmas, we have mysterious things, we have all that, but that between the text of the communicator, the black envelope intended to arouse the reader's interest to make them want to intrigue them, whatever you want. And then the red envelope today, which has taken on, which had taken on great magnitude, an importance which far exceeds its real importance. I found it interesting to make this parallel on the one hand, and then to cut short all speculation, on the other hand, but that has nothing to do with what could have motivated my writings in the seal of secrecy .
(Q - Apollo: So all or nothing has nothing to do with the puzzles. Well, find my all et cetera. Does it have nothing to do?)< br />
MB: Well, all or nothing in my head, it was that you know, I was still... it may seem a little surprising to you, but I was still confronted with this thought, at that moment , in my life where I said to myself I'm giving up the game, I'm stopping everything because I'm fed up or I'm going all out, and if I'm going all out, I'm going all out, I'm doing the things good.
MB: Ouch, ouch, ouch, Ouch, ouch, Ouch, Ouch, you are incorrigible. It's terrifying. You are first-class amalgamators. It's terrifying ? Heads or tails at the time, when I wrote this text, it was something. Red or black is it from when, yesterday, the day before yesterday, I don't know. It's, it comes a certain time later, it's a sequel, there is no, there is no parallel to be made. Red and black what I evoke through red and black. Well, come on, let's, we can talk about it a little because ultimately it's topical. Why did I put this red and black title? Yes, there is obviously the little nod to Stendhal, that's clear, but it's above all a parallel between what was supposed to be, what could become, how history had been envisaged and what it has become today. So, the parallel between the black envelope of Father Méhus then the red envelope which has so much, which so fascinates certain conspiracists. So I made this parallel to say both that well we are in the same context, we have enigmas, we have mysterious things, we have all that, but that between the text of the communicator, the black envelope intended to arouse the reader's interest to make them want to intrigue them, whatever you want. And then the red envelope today, which has taken on, which had taken on great magnitude, an importance which far exceeds its real importance. I found it interesting to make this parallel on the one hand, and then to cut short all speculation, on the other hand, but that has nothing to do with what could have motivated my writings in the seal of secrecy .
(Q - Apollo: So all or nothing has nothing to do with the puzzles. Well, find my all et cetera. Does it have nothing to do?)< br />
MB: Well, all or nothing in my head, it was that you know, I was still... it may seem a little surprising to you, but I was still confronted with this thought, at that moment , in my life where I said to myself I'm giving up the game, I'm stopping everything because I'm fed up or I'm going all out, and if I'm going all out, I'm going all out, I'm doing the things good.