(Q - Apollo: I come back to this plastic story. The fact that the golden owl you replaced with a plastic owl, is this likely to influence the solution of the puzzles
and on the puzzles because initially, we had to have a bronze? Will the fact that it is made of plastic influence the…)
MB: No initially, so wait, wait, wait. There, we are in absolute delirium. Initially, we had someone who had designed a treasure hunt with a cache after the discovery of which we had to win a golden egg and in which we planned to bury a countermark in the form of a Plexiglas plaque.
This is what Régis Hauser designed. It was I who told him, you can't imagine that someone who goes looking for a year, 2 years, 3 years, for a golden owl, is going to make a hole, is going to find a piece of plastic, you imagine the face he's going to make. At a minimum, we must make at least one bronze copy of the owl. We have to do something and I wished if I hadn't been rushed by deadlines, since the editor, everyone was in a very hurry, today we know why, I had planned to have it scrapped of gold so that the person who dug up this bronze copy would have the sensation of finally taking out the golden owl. It was this extraordinary adrenaline rush. I wanted it to be real. I wanted it to be like that, I had identified a little bit with the future or the future winner. And I said to myself, if I had to play a game like that, find the solution, I'm looking for a golden owl, I'm not looking for a piece of plastic. I remind you that I wrote that, I told it.
(Q - Apollo: My question is, does the fact that it is a plastic owl affect the puzzles?)
MB: My answer is that the puzzles were made with the project of a plastic plate, so that cannot influence them, you are not listening to me, I'm sorry, it annoys me at times, no, but it annoys me a little at times. You are asking questions again while I am giving you answers, I tell you, the designer had planned to bury a piece of plastic so it has no impact on the puzzles. It's still clear.
(Q - ??: Can we talk about trigger instead of talking about plastic? Would you advise us: rather to look for things on the sentinels or look for things on the area to find the trigger? Something else?)
MB: No, but here you are, you are getting into this always nice side of shows, of police investigation films where there is the good guy, the bad guy. Do you want a cigarette? or a coffee? Yes, he's not nice, my friend, he's trying to rush you a little, but don't worry, we're friends, but you don't want me to respond to something like that anyway.
(Q - ??: Otherwise I'll send you Apollo be careful eh.)
MB: No but Apollon, Apollon, he annoys me a little, but I like Apollon, he's full of common sense, he has all that. But good God, I've been telling you for months, I've been writing, I've told this story in my books. All of this had been planned for a long time before I even got involved in the story and the puzzles were already designed, everything was already worked out so, whether it was a piece of plastic, a piece of scrap metal, a bronze or Something else changes absolutely nothing. There you go.
MB: No initially, so wait, wait, wait. There, we are in absolute delirium. Initially, we had someone who had designed a treasure hunt with a cache after the discovery of which we had to win a golden egg and in which we planned to bury a countermark in the form of a Plexiglas plaque.
This is what Régis Hauser designed. It was I who told him, you can't imagine that someone who goes looking for a year, 2 years, 3 years, for a golden owl, is going to make a hole, is going to find a piece of plastic, you imagine the face he's going to make. At a minimum, we must make at least one bronze copy of the owl. We have to do something and I wished if I hadn't been rushed by deadlines, since the editor, everyone was in a very hurry, today we know why, I had planned to have it scrapped of gold so that the person who dug up this bronze copy would have the sensation of finally taking out the golden owl. It was this extraordinary adrenaline rush. I wanted it to be real. I wanted it to be like that, I had identified a little bit with the future or the future winner. And I said to myself, if I had to play a game like that, find the solution, I'm looking for a golden owl, I'm not looking for a piece of plastic. I remind you that I wrote that, I told it.
(Q - Apollo: My question is, does the fact that it is a plastic owl affect the puzzles?)
MB: My answer is that the puzzles were made with the project of a plastic plate, so that cannot influence them, you are not listening to me, I'm sorry, it annoys me at times, no, but it annoys me a little at times. You are asking questions again while I am giving you answers, I tell you, the designer had planned to bury a piece of plastic so it has no impact on the puzzles. It's still clear.
(Q - ??: Can we talk about trigger instead of talking about plastic? Would you advise us: rather to look for things on the sentinels or look for things on the area to find the trigger? Something else?)
MB: No, but here you are, you are getting into this always nice side of shows, of police investigation films where there is the good guy, the bad guy. Do you want a cigarette? or a coffee? Yes, he's not nice, my friend, he's trying to rush you a little, but don't worry, we're friends, but you don't want me to respond to something like that anyway.
(Q - ??: Otherwise I'll send you Apollo be careful eh.)
MB: No but Apollon, Apollon, he annoys me a little, but I like Apollon, he's full of common sense, he has all that. But good God, I've been telling you for months, I've been writing, I've told this story in my books. All of this had been planned for a long time before I even got involved in the story and the puzzles were already designed, everything was already worked out so, whether it was a piece of plastic, a piece of scrap metal, a bronze or Something else changes absolutely nothing. There you go.