(Q - Apollo: I have a question, is the number of key words in the poem well defined?)
MB: You're sure there are key words, you're really sure there are key words. Can you tell me how many there are? No but Oh.
(Q - Apollo: You just, you just said that there were key words in this poem, the question of knowing is there a defined number of them? Is- what is this number important?
MB: But I, someone I know intimately, who asks me this question, I say, but get over it. But you, I won't do it because we don't know each other, but still. Well yeah, so I can't say such a thing but frankly I've said enough. There are key words.
(Q - ??: And Michel, these key words, a dictionary is enough to understand what message you wanted to hide in these key words?)
MB: I'm face down on my collapsed bed and laughing. I can't take it anymore. I can not stand it anymore. But stop, stop what? Honestly I'm laughing, but I say to myself but they're not possible but it's incredible to try to cook myself like that. I'm telling you everything I can tell you. Don't try to find out more.
(Q - ??: So I have a more generational question. You had already talked about it, we are finally, I am, I am going to speak for myself, I am not at all an expert in text study And so, since I tell myself that this poem has key words and it must have a hidden meaning eh, otherwise it would be too easy so there is a text study to do, we are. Okay and so there, well, not being at all new to the practice of this exercise, could you explain to me a text study very quickly so as not to annoy others but to know that, that are the basics, the fundamentals…)
MB: I'm devastated again. You are absolutely but, insatiable, it's incredible. A study of the text... Wait, we still have to understand each other clearly, there's no need to have studied literature, eh. Keywords are words so there's no point in saying that. There are a few words to remember in all of this. There's certainly a bit of trickery too where you have to capture it and then it's within the reach of most people eh. What level of studies are you at without indiscretion?
(Q - ??: I'm a baccalaureate plus a few years yeah but no, that's not it…)
MB: Yes, that's exactly it, baccalaureate plus a few years so, either you find it or you deserve a kick in the ass, there's no story. There you have it. Then you have enough to get by.
(Q - ??: Just a quick question, Michel, please. In an old vocal, you said that a person who had the trigger would find themselves facing a certain number of corridors. It seems to me that you said 5 corridors, wouldn't that be more like 3 corridors?)
MB: Why not? It's not bad, 3 corridors, you can't be wrong eh.
MB: You're sure there are key words, you're really sure there are key words. Can you tell me how many there are? No but Oh.
(Q - Apollo: You just, you just said that there were key words in this poem, the question of knowing is there a defined number of them? Is- what is this number important?
MB: But I, someone I know intimately, who asks me this question, I say, but get over it. But you, I won't do it because we don't know each other, but still. Well yeah, so I can't say such a thing but frankly I've said enough. There are key words.
(Q - ??: And Michel, these key words, a dictionary is enough to understand what message you wanted to hide in these key words?)
MB: I'm face down on my collapsed bed and laughing. I can't take it anymore. I can not stand it anymore. But stop, stop what? Honestly I'm laughing, but I say to myself but they're not possible but it's incredible to try to cook myself like that. I'm telling you everything I can tell you. Don't try to find out more.
(Q - ??: So I have a more generational question. You had already talked about it, we are finally, I am, I am going to speak for myself, I am not at all an expert in text study And so, since I tell myself that this poem has key words and it must have a hidden meaning eh, otherwise it would be too easy so there is a text study to do, we are. Okay and so there, well, not being at all new to the practice of this exercise, could you explain to me a text study very quickly so as not to annoy others but to know that, that are the basics, the fundamentals…)
MB: I'm devastated again. You are absolutely but, insatiable, it's incredible. A study of the text... Wait, we still have to understand each other clearly, there's no need to have studied literature, eh. Keywords are words so there's no point in saying that. There are a few words to remember in all of this. There's certainly a bit of trickery too where you have to capture it and then it's within the reach of most people eh. What level of studies are you at without indiscretion?
(Q - ??: I'm a baccalaureate plus a few years yeah but no, that's not it…)
MB: Yes, that's exactly it, baccalaureate plus a few years so, either you find it or you deserve a kick in the ass, there's no story. There you have it. Then you have enough to get by.
(Q - ??: Just a quick question, Michel, please. In an old vocal, you said that a person who had the trigger would find themselves facing a certain number of corridors. It seems to me that you said 5 corridors, wouldn't that be more like 3 corridors?)
MB: Why not? It's not bad, 3 corridors, you can't be wrong eh.