(Q - Nabil: OK then I review, I pass, I have the bsm I turn Nabil. Michel Nabil then, what am I saying, what is
-what I don't see.)
MB: Nabil? Yes, you can hear me.
(Q - Nabil: very good Michel.)
MB: I think I think that at some point, you have to be able to gain a little altitude with your reasoning. When I hear you talking there, yeah well, you have to want something and so on. I say to myself, the guy is at full tilt, he's not breathing anymore, he's in apnea, he's into his thing. Well, we need to take a little distance from this whole owl thing. And you have to be able to consider it with how I'm going to say that, You have to be a little disinterested, you have to not obsess about saying I'm going to discover a treasure there, great, worth €150,000, maybe more thing, that's not what the debate is, the debate is about understanding, admitting at a given moment that to find, you need a touch of imagination, of cleverness, and that imagination and This trick does not come from applied seriousness. It does not come from a deep involvement, it comes from a freshness of mind, from an inspiration a little guided, a little by a euphoria of the moment or whatever, it is necessary a little lighter in relation to this approach, you must not have a heavy-handed approach by saying to yourself well, you have to find something, there is a trick to find, there is something, you have to gain a little altitude, you have to breathe, you have to see with more lightness, I think. I like the term lightness. Finally, in the exchanges of the famous madits, the Minitel exchanges and everything that happened at the start of the hunt, we realize that the debates took on a certain seriousness, a certain heaviness, a certain density and that, that does not go with the end of the hunt.
(Q - Nabil: And so, the imagination can come like that if I'm in the right place.)
MB: No, imagination, let's talk about imagination, imagination is a tool. It’s something that makes us take ideas, mix them together and put them into perspective, put them in perspective, say why not this, why not that? We imagine situations, we imagine possibilities, et cetera. And that requires, it requires a little oxygen, a little breath. If we're too anxious, if we're too relentless, obsessed with this story, saying we have to find it, it's not possible, I can't do it, and so on, there's little chance that we'll have the little trigger. , the imagination which will make us suddenly grasp what.
(Q - ??: Hello, that's the difficulty eh. We're in the imagination and still have all the tricks to do and so we have the impression that.)< /u>
MB: It's not a parachuted imagination either, it's not an imagination that arrives like that, suddenly. It’s an imagination that is still linked to how we get there. We're not in a vacuum, we're not suddenly saying to ourselves, what should I find? No no. There is still a correlation with what happened before.
(Q - ??: Before in the 9 enigmas, you mean or before in 650 anyway.)
MB: Before in the 9 enigmas a little, and before in the last two of course.
MB: You will notice that I did not give a name, I did not say 650 or not 650… You manage.
(Q - Apollo: This click is a technique.)
MB: The trigger is how a somewhat perverted pirate will design his trick so that people cannot steal his treasure without really knowing the solution. It's a trick, it's a scheme, it's a bit wicked, it's a bit, but at the same time it's very affordable, eh.
(Q - Apollo: This story of the trigger really remains very, very mysterious, it's very, very mysterious…
(Q - ??: Already, have the imagination.)
(Q - Uncle Nono: Yes because in the last vocal or the previous one, you declared in a question that you had to be there to have the trigger, but I seem to remember that you said that 'we could have it in our shower or anywhere, so could you clarify this point please.)
MB: Yes. In fact, the trigger I'm talking about, I... It's terrible, these snoring, eh, it's terrible. I can't get used to it, but it has a fascinating side, eh, but we're still in a fantastic intimacy, eh? Okay Well yes, yes, indeed, yes, yes. Do you think he drools while sleeping?
(Q - ??: You can transfer him to Michel if you want, you already can)
MB: I can mutate him but ultimately he doesn't prevent us from communicating, we're not going to do that to him because afterwards to demutate him I might not be there if I mutate him afterwards we don't know how long he will be transferred,
(Q - ?? You can just mutate it for yourself actually you right click and do)
MB: But it doesn't bother me. No, it's this trick that I'm talking about, that's the difficulty, because it can both be understood and it has a certain logic in the context. Yeah OK Well yes yes obviously well he has, our national pirate has hidden his treasure, he imagined that well OK yeah why not, but the other side is the owls who are not really in the mood, who are a little bit distanced, a little bit removed from this atmosphere, from really the area where we find et cetera. For them, it's still a little bit theoretical and so for these people, indeed for all of you, practically, the idea, what to do with this trigger, with what is to be imagined remains, how am I going to say that? , remains a little fleeting, a little difficult to catch.
MB: Nabil? Yes, you can hear me.
(Q - Nabil: very good Michel.)
MB: I think I think that at some point, you have to be able to gain a little altitude with your reasoning. When I hear you talking there, yeah well, you have to want something and so on. I say to myself, the guy is at full tilt, he's not breathing anymore, he's in apnea, he's into his thing. Well, we need to take a little distance from this whole owl thing. And you have to be able to consider it with how I'm going to say that, You have to be a little disinterested, you have to not obsess about saying I'm going to discover a treasure there, great, worth €150,000, maybe more thing, that's not what the debate is, the debate is about understanding, admitting at a given moment that to find, you need a touch of imagination, of cleverness, and that imagination and This trick does not come from applied seriousness. It does not come from a deep involvement, it comes from a freshness of mind, from an inspiration a little guided, a little by a euphoria of the moment or whatever, it is necessary a little lighter in relation to this approach, you must not have a heavy-handed approach by saying to yourself well, you have to find something, there is a trick to find, there is something, you have to gain a little altitude, you have to breathe, you have to see with more lightness, I think. I like the term lightness. Finally, in the exchanges of the famous madits, the Minitel exchanges and everything that happened at the start of the hunt, we realize that the debates took on a certain seriousness, a certain heaviness, a certain density and that, that does not go with the end of the hunt.
(Q - Nabil: And so, the imagination can come like that if I'm in the right place.)
MB: No, imagination, let's talk about imagination, imagination is a tool. It’s something that makes us take ideas, mix them together and put them into perspective, put them in perspective, say why not this, why not that? We imagine situations, we imagine possibilities, et cetera. And that requires, it requires a little oxygen, a little breath. If we're too anxious, if we're too relentless, obsessed with this story, saying we have to find it, it's not possible, I can't do it, and so on, there's little chance that we'll have the little trigger. , the imagination which will make us suddenly grasp what.
(Q - ??: Hello, that's the difficulty eh. We're in the imagination and still have all the tricks to do and so we have the impression that.)< /u>
MB: It's not a parachuted imagination either, it's not an imagination that arrives like that, suddenly. It’s an imagination that is still linked to how we get there. We're not in a vacuum, we're not suddenly saying to ourselves, what should I find? No no. There is still a correlation with what happened before.
(Q - ??: Before in the 9 enigmas, you mean or before in 650 anyway.)
MB: Before in the 9 enigmas a little, and before in the last two of course.
MB: You will notice that I did not give a name, I did not say 650 or not 650… You manage.
(Q - Apollo: This click is a technique.)
MB: The trigger is how a somewhat perverted pirate will design his trick so that people cannot steal his treasure without really knowing the solution. It's a trick, it's a scheme, it's a bit wicked, it's a bit, but at the same time it's very affordable, eh.
(Q - Apollo: This story of the trigger really remains very, very mysterious, it's very, very mysterious…
(Q - ??: Already, have the imagination.)
(Q - Uncle Nono: Yes because in the last vocal or the previous one, you declared in a question that you had to be there to have the trigger, but I seem to remember that you said that 'we could have it in our shower or anywhere, so could you clarify this point please.)
MB: Yes. In fact, the trigger I'm talking about, I... It's terrible, these snoring, eh, it's terrible. I can't get used to it, but it has a fascinating side, eh, but we're still in a fantastic intimacy, eh? Okay Well yes, yes, indeed, yes, yes. Do you think he drools while sleeping?
(Q - ??: You can transfer him to Michel if you want, you already can)
MB: I can mutate him but ultimately he doesn't prevent us from communicating, we're not going to do that to him because afterwards to demutate him I might not be there if I mutate him afterwards we don't know how long he will be transferred,
(Q - ?? You can just mutate it for yourself actually you right click and do)
MB: But it doesn't bother me. No, it's this trick that I'm talking about, that's the difficulty, because it can both be understood and it has a certain logic in the context. Yeah OK Well yes yes obviously well he has, our national pirate has hidden his treasure, he imagined that well OK yeah why not, but the other side is the owls who are not really in the mood, who are a little bit distanced, a little bit removed from this atmosphere, from really the area where we find et cetera. For them, it's still a little bit theoretical and so for these people, indeed for all of you, practically, the idea, what to do with this trigger, with what is to be imagined remains, how am I going to say that? , remains a little fleeting, a little difficult to catch.