MB: And then.
It still appears in all this that the story of the golden owl, well it has taken its place in the collective imagination.
I said it earlier, I think.
Today, it surprised me, I have orders for books coming from Australia, coming from the United States.
It's very surprising and the story of the golden owl is going around the world a little.
Some major media are interested in it.
The golden owl will really fit into a lot of media and will really take an important place I think in the collective imagination, so I say to myself in relation to all that, perhaps we need to see things differently, it
perhaps we should forget the original ambitions, and then, today, simply subscribe to how to say that, simply subscribe to the beauty of the game, not the beauty of the game, I would say to the scale, to
the hold that the game has taken on, to the reference that the game has become.
It is very surprising for me to, once again, read articles from Capital or echoes or eminently financial and not at all artistic magazines which talk about the business of treasure hunts and which all, without exception, refer to the Golden owl. And I say to myself, this story has taken such a place, has taken up, is positioned in such a way that today, well, we have to accept it quite simply.
(Q - BlackCorbac: Yeah, but at the same time, when we talk about painting, the reference will sometimes be the Mona Lisa in particular and in the end what we will remember is not the value of the Mona Lisa, that’s her beauty, that’s why I was talking about beauty, about the game too.)
MB: Yeah, but how can I tell you that? If today for example, I can tell you that certain blockbusters wish to have the owl as an element of their decor, of their atmosphere. It's for me, it's completely crazy, personally I'm hallucinating when I see that, because I haven't forgotten the moment when I said OK, I'm financing the owl. It was another operation on the corner of the table. It was between Max and me, it was really something very artisanal. And I'm very surprised and at the same time seduced, I can't deny it, but to see that this owl is, well yes, she has taken flight, we can't stop her, we can't stop her, she is in the collective imagination. It's making its way and if I don't have the power to stop it, I would like to distance myself from it, say to myself, well, this is taking a turn that is not mine and so I prefer to stay out of it, and at the same time well it doesn't seem very possible. I no longer have the possibility of withdrawing from all of this.
(Q - BlackCorbac: But it's going to be difficult in my opinion... I have a new colleague who arrived there and I said it, I'm going to Rochefort, I'm in charge of an association We organized something and a whole new colleague, he's a very strong guy, you see? Yes, what's this story, I give the references of the association and I see him yesterday morning you see he comes to see me Ah yes, wait, wait, Saturday, I went to see your site, I went to look for the puzzles and everything, this thing is great Ah, the tables and everything. , the first thing that told me, the guy, come on, I'm in the tables so he took the time to look, I was told I spotted things and everything, it's crazy And that. which is extraordinary, that's what it is in this game, that is to say a slightly hypnotic effect and I really think that there was, you know, a conjunction that you had with Régis Hauser, Max Valentin who did his puzzles, that you had Michel Becker who did his paintings and at the end we have a game that is legendary and we are in the middle of all that and we are very happy to be there, we are struggling a little, eh, obviously, especially Nabil. But, but we like it when you come there's no problem, don't worry, no one will come and bother you, we'll be peaceful between us, we'll be fine because in fact we suffered so much from this distancing there.)
MB: Well, listen to me if someone comes to bother you, don't worry, they'll find someone to talk to. You shouldn't have any illusions though, grandpa isn't quite all that spoiled yet. He still has resources, so if there is one who comes to annoy me, I can tell you that yeah, it will be known.
(Q - Apollo: can we imagine a celebration of the 30th anniversary of the golden owl without Michel Becker? It's not possible.)
MB: I can imagine it perfectly. And then when I put myself in other people's shoes, I can't imagine it at all, I say to myself, but you're stupid, you can't do something like that! You can't just get away from it. It's impossible, it's impossible.
(Q - Apollo: You have to be there, it's impossible.)
MB: I know it would be an insult to you, but maybe I won't come anyway, just to piss you off like that, just to piss you off, I tell you, maybe I won't come.
(Q - BlackCorbac: But that's not all but we prepared ourselves, we said to ourselves well after all, it's possible that...)
MB: As long as you are psychologically prepared, I know that at least I will save on an emergency cell.
(Q - Apollo: They prepared the list of questions, that's something else.)
MB: Ah okay, Well Yes, but that, I say to myself damn, I'm going to arrive for 8 hours, I'm going to have a sustained interrogation, interspersed with sessions with recreational signings, so either I write or I talk, but As for having a drink and relaxing, that will be the next day.
(Q - BlackCorbac: Michel I'll pay you a drink, don't worry. Hey guys, I'll remind you of a little detail, you know that last October in fact we had, l 'AOC met Michel Becker at Lingot d'Art and we…)
MB: It was a double, it wasn’t me.
(Q - BlackCorbac: No, but we talked about the AOC between us, but we held on, eh, eh, we didn't talk about the owl, we didn't we didn't talk about the puzzles, we tried to be super straight at this level even if Michel, when he signed his cards, he made some suspicious spirals for us but apart from this state which is not )
MB: Hey, Black Corback, you fake ass, you had a good laugh. You had a good laugh when I did that, so okay.
(Q - BlackCorbac: But I'm not saying that I'm not saying that I'm aware of Michel Becker's comments, eh, and I wasn't the last to pay for it either, so no, it's a false ass , fake ass and a half.)
(Q - Apollo: And I specify that it is Aladore who will bring the lamp.)
> br /> (Q - Apollo: No I won't be there no no,)
(Q - Xavier D'Homan: The party, Apollo who would have come would, you know, be the bard in Asterix where he is hung from a tree.)
(Q - Apollo: No, not at all, not at all. I'm me, I'm not at all. I'm the pitbull type.)< br />
MB: Personally, I see myself well in the role of Assurancetourix, I am a bard who sings out of tune, it's true that I have been singing out of tune for a while and no no, I see myself very well in this role. That suits me well.
It is very surprising for me to, once again, read articles from Capital or echoes or eminently financial and not at all artistic magazines which talk about the business of treasure hunts and which all, without exception, refer to the Golden owl. And I say to myself, this story has taken such a place, has taken up, is positioned in such a way that today, well, we have to accept it quite simply.
(Q - BlackCorbac: Yeah, but at the same time, when we talk about painting, the reference will sometimes be the Mona Lisa in particular and in the end what we will remember is not the value of the Mona Lisa, that’s her beauty, that’s why I was talking about beauty, about the game too.)
MB: Yeah, but how can I tell you that? If today for example, I can tell you that certain blockbusters wish to have the owl as an element of their decor, of their atmosphere. It's for me, it's completely crazy, personally I'm hallucinating when I see that, because I haven't forgotten the moment when I said OK, I'm financing the owl. It was another operation on the corner of the table. It was between Max and me, it was really something very artisanal. And I'm very surprised and at the same time seduced, I can't deny it, but to see that this owl is, well yes, she has taken flight, we can't stop her, we can't stop her, she is in the collective imagination. It's making its way and if I don't have the power to stop it, I would like to distance myself from it, say to myself, well, this is taking a turn that is not mine and so I prefer to stay out of it, and at the same time well it doesn't seem very possible. I no longer have the possibility of withdrawing from all of this.
(Q - BlackCorbac: But it's going to be difficult in my opinion... I have a new colleague who arrived there and I said it, I'm going to Rochefort, I'm in charge of an association We organized something and a whole new colleague, he's a very strong guy, you see? Yes, what's this story, I give the references of the association and I see him yesterday morning you see he comes to see me Ah yes, wait, wait, Saturday, I went to see your site, I went to look for the puzzles and everything, this thing is great Ah, the tables and everything. , the first thing that told me, the guy, come on, I'm in the tables so he took the time to look, I was told I spotted things and everything, it's crazy And that. which is extraordinary, that's what it is in this game, that is to say a slightly hypnotic effect and I really think that there was, you know, a conjunction that you had with Régis Hauser, Max Valentin who did his puzzles, that you had Michel Becker who did his paintings and at the end we have a game that is legendary and we are in the middle of all that and we are very happy to be there, we are struggling a little, eh, obviously, especially Nabil. But, but we like it when you come there's no problem, don't worry, no one will come and bother you, we'll be peaceful between us, we'll be fine because in fact we suffered so much from this distancing there.)
MB: Well, listen to me if someone comes to bother you, don't worry, they'll find someone to talk to. You shouldn't have any illusions though, grandpa isn't quite all that spoiled yet. He still has resources, so if there is one who comes to annoy me, I can tell you that yeah, it will be known.
(Q - Apollo: can we imagine a celebration of the 30th anniversary of the golden owl without Michel Becker? It's not possible.)
MB: I can imagine it perfectly. And then when I put myself in other people's shoes, I can't imagine it at all, I say to myself, but you're stupid, you can't do something like that! You can't just get away from it. It's impossible, it's impossible.
(Q - Apollo: You have to be there, it's impossible.)
MB: I know it would be an insult to you, but maybe I won't come anyway, just to piss you off like that, just to piss you off, I tell you, maybe I won't come.
(Q - BlackCorbac: But that's not all but we prepared ourselves, we said to ourselves well after all, it's possible that...)
MB: As long as you are psychologically prepared, I know that at least I will save on an emergency cell.
(Q - Apollo: They prepared the list of questions, that's something else.)
MB: Ah okay, Well Yes, but that, I say to myself damn, I'm going to arrive for 8 hours, I'm going to have a sustained interrogation, interspersed with sessions with recreational signings, so either I write or I talk, but As for having a drink and relaxing, that will be the next day.
(Q - BlackCorbac: Michel I'll pay you a drink, don't worry. Hey guys, I'll remind you of a little detail, you know that last October in fact we had, l 'AOC met Michel Becker at Lingot d'Art and we…)
MB: It was a double, it wasn’t me.
(Q - BlackCorbac: No, but we talked about the AOC between us, but we held on, eh, eh, we didn't talk about the owl, we didn't we didn't talk about the puzzles, we tried to be super straight at this level even if Michel, when he signed his cards, he made some suspicious spirals for us but apart from this state which is not )
MB: Hey, Black Corback, you fake ass, you had a good laugh. You had a good laugh when I did that, so okay.
(Q - BlackCorbac: But I'm not saying that I'm not saying that I'm aware of Michel Becker's comments, eh, and I wasn't the last to pay for it either, so no, it's a false ass , fake ass and a half.)
(Q - Apollo: And I specify that it is Aladore who will bring the lamp.)
> br /> (Q - Apollo: No I won't be there no no,)
(Q - Xavier D'Homan: The party, Apollo who would have come would, you know, be the bard in Asterix where he is hung from a tree.)
(Q - Apollo: No, not at all, not at all. I'm me, I'm not at all. I'm the pitbull type.)< br />
MB: Personally, I see myself well in the role of Assurancetourix, I am a bard who sings out of tune, it's true that I have been singing out of tune for a while and no no, I see myself very well in this role. That suits me well.