(Q - ??: maybe he means, the objective of this riddle is to find the black ship and the key?)
(Q - Roc: because Michel you said, there is nothing to leave unresolved in the 600. Taking this sentence there, you are a basic guy, you are a guy which is straightforward, which says things simply, it means that you have to have everything identified before leaving the 600. That's what I understand, but do I understand it correctly? I don't know, it's true? …)
MB: Okay so actually, I don't really know if I should answer all that exactly, but the way I would answer is to say, the key is hidden on a black ship perched on top. How can we understand a sentence like that?
(Q - Roc: we can understand it physically and literaryly. It can be one or the other. There are plenty of literary keys that exist…)< /u>
MB: Well, what you say is interesting, so how do you understand it, if you have to explain to me how it can be understood in a physical way or in a literary way, how do you express it to me?
(Q - Roc: in a physical way, let's assume that the black ship perched is the cathedral of Clermont-Ferrand, but the key is hidden...)< br />
MB: Very beautiful black ship! very very beautiful black ship!
(Q - Roc: very beautiful, very black but not very perched..)
MB: but it is very black.
(Q - Roc: and the key which is physically hidden, that would be the statue of Saint Michael which is above the church. So that is a physical key. And there can be literary keys, that is to say on the word ship, well we see that the “n” with the “a” is a rotation 13, the “v” with the “i” is a rotation 13, the “r” with the “e” is a rotation 13, so on a literary level the hidden key is “rotation 13”. So that means we have a rotation 13 to do later. , we did this only by playing with the letters So these 2 options and many researchers have one or the other of the options, can it be both, the question is, can it be? we have to find this, identify this while we are doing the 600 because a lot of people postpone it until later, but I hear “There is nothing to leave unresolved in the 600” that's it? say that this is where we need to settle, we need to identify the thing, whether it is physical or literary.)
MB: We have to resolve the Roc problem, we can't stay like this. How do you understand when I say, Max is literary and you put that in front of the 600?
(Q - Gringos: the key to the riddle, is that the answer?)
MB: how can a literary person function in a sentence like that? “The key to cache on a black ship perched”? What does a literary person do with that? What can he do with that?
(Q - nlc: does he add commas?)
(Q - ??: a quote?)
(Q - ??: is he confusing us?)
MB: That’s for sure!
( Q - ??: a literary can confuse us, it is simply to say the key to the enigma is found on this black ship perched. What I understand with a smoker, what I understand it's just the answer in fact, the answer which is the chapel or another cathedral is the key to the enigma…)
MB: Could a literary person in a sentence like that imply that the key is the black ship perched? This is a possibility.
(Q - Roc: but when we say on a black ship perched it is not the same thing as is a black ship perched?)
MB: no, but an advertising communicator is still a top smoker, he's a peddler, he's a guy who sells his sauce, he's a guy who uses words to manipulate the minds of his readers , we talk about readers because at the time when Hannibal Lecter was rampant, if I may say this wonderful joke, Hannibal
Lecter has instilled in you a text intended to stimulate your mind and your brains, so, through this, it is advisable to remain cautious, do not seek a rigorous meaning for this type of statement. “The key is hidden on a black ship perched” you are dealing with a literary person. You have to remain a little flexible about what it might mean. What can I help you! I shouldn't drink so much, I'm telling you too much!
(Q - nlc: The problem is that at this moment we have no way of finding the location and nothing requires us to find a location...)< /u>
MB: [laughs] you have the place right under your nose, my friend.
(Q -: [inaudible]...)
MB: It could have been sorry, a what?
MB: No no. In no case in no case is it anything like a rooster…
(Q - Roc: because Michel you said, there is nothing to leave unresolved in the 600. Taking this sentence there, you are a basic guy, you are a guy which is straightforward, which says things simply, it means that you have to have everything identified before leaving the 600. That's what I understand, but do I understand it correctly? I don't know, it's true? …)
MB: Okay so actually, I don't really know if I should answer all that exactly, but the way I would answer is to say, the key is hidden on a black ship perched on top. How can we understand a sentence like that?
(Q - Roc: we can understand it physically and literaryly. It can be one or the other. There are plenty of literary keys that exist…)< /u>
MB: Well, what you say is interesting, so how do you understand it, if you have to explain to me how it can be understood in a physical way or in a literary way, how do you express it to me?
(Q - Roc: in a physical way, let's assume that the black ship perched is the cathedral of Clermont-Ferrand, but the key is hidden...)< br />
MB: Very beautiful black ship! very very beautiful black ship!
(Q - Roc: very beautiful, very black but not very perched..)
MB: but it is very black.
(Q - Roc: and the key which is physically hidden, that would be the statue of Saint Michael which is above the church. So that is a physical key. And there can be literary keys, that is to say on the word ship, well we see that the “n” with the “a” is a rotation 13, the “v” with the “i” is a rotation 13, the “r” with the “e” is a rotation 13, so on a literary level the hidden key is “rotation 13”. So that means we have a rotation 13 to do later. , we did this only by playing with the letters So these 2 options and many researchers have one or the other of the options, can it be both, the question is, can it be? we have to find this, identify this while we are doing the 600 because a lot of people postpone it until later, but I hear “There is nothing to leave unresolved in the 600” that's it? say that this is where we need to settle, we need to identify the thing, whether it is physical or literary.)
MB: We have to resolve the Roc problem, we can't stay like this. How do you understand when I say, Max is literary and you put that in front of the 600?
(Q - Gringos: the key to the riddle, is that the answer?)
MB: how can a literary person function in a sentence like that? “The key to cache on a black ship perched”? What does a literary person do with that? What can he do with that?
(Q - nlc: does he add commas?)
(Q - ??: a quote?)
(Q - ??: is he confusing us?)
MB: That’s for sure!
( Q - ??: a literary can confuse us, it is simply to say the key to the enigma is found on this black ship perched. What I understand with a smoker, what I understand it's just the answer in fact, the answer which is the chapel or another cathedral is the key to the enigma…)
MB: Could a literary person in a sentence like that imply that the key is the black ship perched? This is a possibility.
(Q - Roc: but when we say on a black ship perched it is not the same thing as is a black ship perched?)
MB: no, but an advertising communicator is still a top smoker, he's a peddler, he's a guy who sells his sauce, he's a guy who uses words to manipulate the minds of his readers , we talk about readers because at the time when Hannibal Lecter was rampant, if I may say this wonderful joke, Hannibal
Lecter has instilled in you a text intended to stimulate your mind and your brains, so, through this, it is advisable to remain cautious, do not seek a rigorous meaning for this type of statement. “The key is hidden on a black ship perched” you are dealing with a literary person. You have to remain a little flexible about what it might mean. What can I help you! I shouldn't drink so much, I'm telling you too much!
(Q - nlc: The problem is that at this moment we have no way of finding the location and nothing requires us to find a location...)< /u>
MB: [laughs] you have the place right under your nose, my friend.
(Q -: [inaudible]...)
MB: It could have been sorry, a what?
MB: No no. In no case in no case is it anything like a rooster…