(Q - ??: By the way, Michel, speaking of promises, were you able to retrace the tracks on the map or not?)
MB : I could have and when it came time to do it, I didn't want to. I'm unbearable, huh? No, but seriously, I'm unbearable, but I know I'll do it, but somewhere, I say to myself, I'll do it like that, one day it's going to get to me but I kind of want it somewhere.
It's starting to tickle me, I think I'm really going to do it.
(Q – Roc: I would like to take this opportunity, Michel, to tell you, to remind you that you said that only 2 routes were ultimately important in hunting.)< br />
MB : Yes, remind me what I say because I forget easily…
(Q – Roc: yes, so you said that there are only 2 routes that count to identify the point where we must land, that’s in February or March.)
MB : Yes, I remember, I said it and I am still convinced of it and I could only confirm it when I had drawn the lines myself on the map, but a priori, yes, I think that that's really it.
A priori, that means before having drawn the lines on the map, but I have good reasons to think that indeed, 2 lines are essential.
(Q - ??: In the first card and the 2nd, or only the first?)
(Q – Roc: I’m talking about the first…)
MB : we try, we try, who doesn't try, gets nothing.
Well, come on, we're going to kiss each other, we're going to go get some sleep, wow, but the images are going to be tough tonight.
To the cow, it's yours, it's the last one.
(Q – Belou: We want to take your mind off things so we can leave for another 2 hours.)
MB : The last one is a canvas measuring 2 meters by 3, and that was from a series on the opera Lucia di Lammermoor, and I exhibited that at the Avignon opera house in 88 I believe from memory, I had made a whole series which was exhibited at the foyer of the Avignon opera and I had the immense pleasure of attending all the rehearsals and all the performances. It was a great joy for me. I walked behind the scenes, I was able to see everything, it was fascinating.
MB : I could have and when it came time to do it, I didn't want to. I'm unbearable, huh? No, but seriously, I'm unbearable, but I know I'll do it, but somewhere, I say to myself, I'll do it like that, one day it's going to get to me but I kind of want it somewhere.
It's starting to tickle me, I think I'm really going to do it.
(Q – Roc: I would like to take this opportunity, Michel, to tell you, to remind you that you said that only 2 routes were ultimately important in hunting.)< br />
MB : Yes, remind me what I say because I forget easily…
(Q – Roc: yes, so you said that there are only 2 routes that count to identify the point where we must land, that’s in February or March.)
MB : Yes, I remember, I said it and I am still convinced of it and I could only confirm it when I had drawn the lines myself on the map, but a priori, yes, I think that that's really it.
A priori, that means before having drawn the lines on the map, but I have good reasons to think that indeed, 2 lines are essential.
(Q - ??: In the first card and the 2nd, or only the first?)
(Q – Roc: I’m talking about the first…)
MB : we try, we try, who doesn't try, gets nothing.
Well, come on, we're going to kiss each other, we're going to go get some sleep, wow, but the images are going to be tough tonight.
To the cow, it's yours, it's the last one.
(Q – Belou: We want to take your mind off things so we can leave for another 2 hours.)
MB : The last one is a canvas measuring 2 meters by 3, and that was from a series on the opera Lucia di Lammermoor, and I exhibited that at the Avignon opera house in 88 I believe from memory, I had made a whole series which was exhibited at the foyer of the Avignon opera and I had the immense pleasure of attending all the rehearsals and all the performances. It was a great joy for me. I walked behind the scenes, I was able to see everything, it was fascinating.